Real Life Review: Voigtländer 17.5 mm/1:0.95 Heliar Nokton MFT
This is a Real Life Review of the Voigtländer 50mm f3.5 M-mount (VM) lens with the Leica M10. This is a unique lens featuring a classic or vintage look but a modern lens design.
This is a Real Life Review of the Voigtländer 50mm f3.5 M-mount (VM) lens with the Leica M10. This is a unique lens featuring a classic or vintage look but a modern lens design.
This is an extra article in a series of articles showcasing pictures taken on the Voigtländer APO-Lanthar 50mm/1:2.0. This post shows the amount of detail this combination can capture.
This is a Real Life Review of the Voigtländer 50mm f2 lens with the Sony A7R IV. This lens is apochromatic and extremely sharp, making it very well suited to the A7R IV.
This is another in a series of articles showcasing pictures taken on the Voigtländer APO-Lanthar 50mm/1:2.0. These images demonstrate capabilities of this combination, and the detail that appears, even in a deep crop, when shooting birds in flight and at high ISO.
This is another of a series of articles showcasing pictures taken on the Voigtländer APO-Lanthar 50mm/1:2.0. This time we look at a series of images from this combination shot continuously.
The Voigtländer 50mm APO-Lanthar 1:2.0 lens is a manual focus lens for Sony Alpha mirrorless cameras. It can produce shallow depth of field, but that doesn’t always produce the best images.
This is another in a series of articles showcasing pictures taken on the Voigtländer APO-Lanthar 50mm/1:2.0. These show off full frames from this combination.
This is the first of a series of articles showcasing pictures taken on the Voigtländer APO-Lanthar 50mm/1:2.0. These pictures were taken around Melbourne and demonstrate the ability to crop images from this combination heavily.
The Nokton 17.5mm lens is part of a series of Voigtländer lenses for the Micro Four-Thirds system, and all lenses in the series has an amazingly large aperture (f0.95).
This is a Real Life Review of the Voigtländer 50mm f3.5 M-mount (VM) lens with the Leica M10. This is a unique lens featuring a classic or vintage look but a modern lens design.
This is probably the most quirky currently-in-production lens for the M-mount, looking more like a mini Dalek from Dr. Who than a boring camera lens.
These pictures were taken at Broadway in two locations: the Blackfriars campus of the University of Technology Sydney (UTS) and the TAFE NSW Ultimo Campus.
Here are some sample shots taken with the Voigtländer APO-Lanthar 50mm lens on a Sony α7R. The photos are taken on a weekend in Sydney when Transport for NSW launched the new Light Rail service from Circular Quay to Randwick.
These pictures were taken around Surry Hills up Oxford and Riley streets and back down on Commonwealth Street.
These pictures were taken at a walk around the Circular Quay and Rocks areas of Sydney.
These pictures were taken at St. Mary’s Cathedral and gives an overview of how the lens performs in low light.
This is the second of a series of articles showcasing pictures taken on the Voigtländer Heliar 50mm/1:3.5. These pictures were taken at St. James and gives an overview of how the lens performs in low light.
These pictures were taken around Sydney and showcases the amazing contrast and colour rendition of the lens.
So, how does the new Voigtländer APO-Lanthat 50mm stack up against the venerable Leica Summicron 50mm, as well as the two Sony native lenses on a Sony full frame camera? Let’s find out!
Voigtländer say that this is their “best performance standard lens ever” and that’s a pretty bold claim. It is a high performance manual focus standard lens optimised for the imaging sensors of Sony mirrorless cameras.